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John Collier's "Evening Primrose", about people who live inside a department store, was later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. Scott Fitzgerald's " The Diamond as Big as the Ritz". Stewart's Earth Abides (the program's only two-parter), Richard Connell's " The Most Dangerous Game" and F. Some of the memorable adaptations include Daphne du Maurier's " The Birds", Carl Stephenson's " Leiningen Versus the Ants", Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted " Mars Is Heaven", George R.
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Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Of the more than 230 Escape episodes, most have survived in good condition.
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" Escape! Designed to free you from the four walls of today for a half-hour of high adventure!" Escape!"įollowing the opening theme, a second announcer (usually Roy Rowan) would add: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you.
The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with this introduction, as intoned by William Conrad and later Paul Frees: Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950.ĭespite these problems, Escape enthralled many listeners during its seven-year run. It was radio's leading anthology series of high-adventure radio dramas, airing on CBS from Jto September 25, 1954. Life is good.Escape is an American radio drama.
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Was there a subconscious connection? Just that I wanted to escape the concert, maybe.Ĭheese and mushroom tortilla and strawberry wine at El Pimenton then the steep walk up the hill with a full moon. Tell him I was flying - tell him I was flying.Īgain, this is a frequent experience of mine – coming away from one musical event singing something totally unrelated – again, is this familiar? I'd love to know (do email me if you want to!). Take this hammer and take it to the captain Does this sound familiar? Or is it just me?Īfter the concert I took the bus back into town to meet Ann, who had been preparing classes all evening, and kept singing to myself an old work-song from a Leadbelly record I used to listen to but haven't heard for many many years: I remember, for example, in one of them the trumpet virtuosic scrambling was liquid going into a bucket in another the concert was happening in our back garden in Morningside and I was worried for the neighbours in a third I was trying to notate the flurries of notes into a bar – but working backwards from the end of the bar (I had been writing arrangements on my computer all day). Does anyone else have this experience? Probably about a hundred times during the evening I lapsed into little dreams, each of which probably lasted half a second. The line-up was, if I remember rightly:ģ) oboe/ violin/ certain amount of gigglingĤ) electronics – a table-top of little boxesĥ) record scratching (but on an old 78 player)/ mic exposed to various body parts/ cymbalsĦ) double bass/ feedback ħ) electric guitar played mostly with scratchy objectsĨ) Lucax with his rug covered in toys, percussion, kitchen implements etcĩ) and, of course, Sabu Toyozumi on drum kit – but often played with his handsĪn hour and a half of frantic noise with no element of music (well, Sabu suddenly went into a hard driving rock rhythm at one point towards the end, which was like an oasis in a desert of chaos – albeit a fairly modest oasis) had me dozing – as so often in concerts generally. Lucax, it turned out, was playing in the concert – given by Tarabus Ensámble, a group of eight free improvisers with a guest drummer from Japan called Sabu Toyozumi. Ironic if the only thing I got asked to play in was after I left Valparaiso! But it might have come to nothing anyway. He greeted me and told me he had been trying to get in touch with me – some sort of dance event at the end of this month. A few people were waiting there, including Lucax, the percussionist I met at the time of the Tsonami festival. It took me a while to find the (excellent) venue – an open gate in the otherwise impenetrable high surrounding fence (a feature of universities here, liable as they are to be occupied by demonstrating students) gave me a clue – then a poster – then an obvious jazz person loitering – and finally a door and a desk.
The evening before last I went to a concert out at the University of Playa Ancha, about a mile out on the edge of town.
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